.
we drive daylight into night //
bitter on my skin
as if the moon dropped at once,
on my knees,
search the carpet fibres for it,
swords with eyes& double edge
cut hard into my chest
not sure if there’s a band aid left
to stop the bleeding,
compare an apple to a bat &
both look silly, i flap wings,
& there’s much i don’t do
(in the way i am supposed to–)
tell christmas ornaments
to stop their crazy glistening
or their hanging dreamily with one hand
on that fine spun silver thread
from limbs that tilt and bob
and change direction every second– yes
i’m no perfectionist
the torch’s not working?
i’ll sit and wait
until my eyes shine in the dark
(like a cat does)
‘til i see you &
you, the path, bathed odd in yellow light?
it’s there–
and not // in venice
they use gondolas to bridge the gaps
i paint one,
paint us in
& scratch our names into its wooden surface
(in japanese// to underline our deep fragility)
i’m not afraid
of messing things upUp and down the road,
avoid the middle line & run after the taillights
of a fleeting car
“it hit you hard,
the dying of your colleague’s husband–”
“yes”
“maybe time to re-think life?”
“yes//yes and no”
&with an 05 micron pen
i sketch winter on a sheet
personified– how she gazes at me,
deep blue eyes,
hair that look like clouds, curling carefree/
snowy/ into this and that direction,
and no combing//straight
to fit a pre-drawn frame
.
“Hearth, home, and common speech” is Gay’s theme at dVerse today… writing of or about that which makes you and your language unique… doors open at 3pm EST..